| estilo
|
fechas aproximadas |
país |
filosofía |
Imagen típica de este estilo |
Artista Distinguido |
| Gótico |
1100 - 1500
dependiendo del país
|
Francia |
La iglesía era el eje central de este tiempo. Grandes
catedrales. |
Notre Damme |
Suger |
| Renacimiento |
|
Italia |
|
|
Da Vinci,
Miguel Angel |
| Barroco |
1625-75 |
Italia / Francia |
In High Baroque all the visual arts - painting, sculpture
and architecture - are forged together to make ensembles intended to exert
an overwhelming emotional impact Reposeful balance is forsaken for dynamic
movement and the integrity of individual materials is subsumed into the
all-important illusionism calculated to impress upon the faithful the
actuality of the spiritual experiences of the Catholic saints represented
before, above and all around them. |
Ecstasy of St. Teresa
1647-52
Marble
height c. 11' 6" (3.5m)
|
Bernini |
|
Neoclásico |
1800 |
Francia |
Art was now supposed
to move a person's deepest feelings and teach virtue - not cater to wasteful
living. Artists and critics believed that it should once again serve the
nation and be good for the people, just as it had for the ancient Greeks and
Romans. Classical art had depicted serious subjects in a serious way, and so
late eighteenth century artists and architects deliberately began imitating
Roman and Greek art. |
Napoleon en su Estudio 1812
|
David |
|
Impresionismo |
1870 |
Francia |
Photography in the
nineteenth century both challenged painters to be true to nature and
encouraged them to exploit aspects of the painting medium, like color, that
photography lacked. This divergence away from photographic realism appears
in the work of a group of artists who from 1874 to 1886 exhibited together,
independently of the Salon. They became known as Impressionists
because a newspaper critic thought they were painting mere sketches or
impressions. The Impressionists, however, considered their works finished.
Definición en español |
The Japanese Bridge
Probably 1918-24
Oil on canvas
|
Monet Van Gogh |
|
Cubismo |
1900 |
Francia / España
|
Características
generales |
Cuadro Mujer Italiana |
Picasso |
| Dada |
1910 |
Francia |
anti-art movement
or, at least, a movement against the way art was appreciated by what
considered itself the civilized world; Surrealism was much more than an art
movement and it thrust home Dada's subversive attack on rational and
'civilized' standards. Whether people are aware of it or not, the Dada and
Surrealist revolt has helped to change modern consciousness. |
Mona Lisa de Duchamp |
Duchamp |
| Surrealismo
|
|
|
|
ejemplos por Dalí |
|
|
Expresionismo Abstracto |
1950 |
EEUU |
The term was used to
refer to all types of non-geometric abstraction. There are two distinct
groups within the movement: Colour Field artists
Rothko, Newman,
Still) worked with simple, unified blocks of colour; and gestural painters
like Pollock |
Arte expresionista |
Pollock |
| Arte Pop |
1965 |
EEUU |
The term first
appeared in Britain during the 1950s and referred to the interest of a
number of artists in the images of mass media, advertising, comics and
consumer products.
definición en español |
sopas vegetales |
Warhol |
| Postmodernismo |
1980 |
EEUU |
Definición |
Edifio Postmodernista |
|